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Super 8 / ***½ (PG-13)Posted Wednesday, June 15, 2011, at 11:43 PM
J.J. Abrams evokes the cinema of late 70s era Steven Spielberg in the new summer thriller "Super 8".
I was watching an old episode of Siskel & Ebert the other day. It was a special episode where they made their favorite summer movie recommendations. Gene Siskel made a comment near then end of the program about how most great summer movies took place in the late fifties or early sixties, before central air conditioning was available in most houses, because you could feel the heat of the summer in those eras. Well, that's all well and good for his generation, but summer for my generation always had central air. What defines a great summer movie for me has to do with a different kind of atmosphere. It's darker than the movies Siskel & Ebert ran down in that early 90s episode of their show. It involves being a kid and doing things your parents weren't aware of. It often involved movies, because that's when we saw most of the movies we'd see throughout the year. More often than not they were movies directed by Steven Spielberg.
J.J. Abrams ("Star Trek") remembers summer in the same way. He's made a wonderful homage to early Spielberg with his latest summer flick "Super 8". It's such good homage, he even got Spielberg to produce it. It has moments that will remind you of Spielberg's "Close Encounters of the Third Kind" and "E.T.: The Extra-Terrestrial". It even has a leading cast of kids like "The Goonies". It even takes place in a typical Spielbergian suburban setting. It helps that it takes place during the summer of 1979, right smack dab in the middle of Spielberg's amazing run of summer blockbusters. We'll just forget about "1941".
Like many of Spielberg's movies that helped to define the summers of my youth, "Super 8" follows a group of kids going into their summer vacation. Charles (Riley Griffiths) is an ambitious child filmmaker, much like Spielberg was himself. He's recruited all of his friends to help him make a zombie movie over the summer to enter into a filmmaking contest. Joe (Joel Courteny)--Charles's best friend and make up artist--is coming off a tumultuous year, having recently lost his mother in a steel factory accident. Joe's father, Jack (Kyle Chandler, "Friday Night Lights"), is deputy for the Sheriff. Jack wants to send Joe to a summer camp to take both their minds off their loss.
Charles recruits a girl, Alice (Elle Fanning, "Somewhere"), to play a character in his film to add weight to the script and because she has access to a car and maybe for other reasons. Joe is enamored with Alice. She does not reciprocate at first for reasons that I won't go into here. When they are filming a scene at a train station one evening, they decide to film while train is passing by to give the movie more authenticity. Joe notices a truck pulling onto the train tracks in front of the train. The two collide and set into motion events that are too spectacular and wondrous to happen in real life, but contain the same fear and paranoia that exist in our world and provide for great summer entertainment.
The train wreck is beyond spectacular. It makes the train crash in "The Fugitive" look like the derailings you caused on your model train tracks in the basement. In fact, it may have been too much of a crash. I had a little trouble believing any of these kids could've survived the thing. But, this loud and calamitous crash only cushion's the blow of the events that are about to unfold. Abrams is good at only hinting at what's in store for this town. Like Spielberg's "Jaws", we don't get to see any of what escapes from the wreckage until well into the movie, but we do get what seems to be a crazy old man with oblique warnings of what has befallen this town.
Abrams embraces Spielberg's fascination with the military and government conspiracy as the abrasive Helec (Noah Emmerich, "Pride and Glory") commands the troops that descend upon the small Ohio town to clean up the wreckage. Concerned about danger to his citizens, Jack tries to get some answers from Helec, but is stonewalled. This cleverly brings Jack and Joe onto the same trajectory at the center of the strange events that begin to occur all over town.
I wouldn't begin to suggest just what is really going on in this movie, as that is much of its appeal. It's so rare in today's sell hard movie market to go into a movie and not know all the major plot points ahead of time. That's just another element that Abrams brings to the movie from 70's filmmaking. Another throwback is the fact that there are no major stars in the picture. Stars have always held box office power, but there was a time when a film could pull off ticket sales without them. They were called sleepers. All of the kids, except for Elle Fanning, are first time movie stars. Fanning hasn't ever even been in anything like a summer blockbuster before. Even the adult actors are only marginal stars, Chandler holding the most weight coming of the critically lauded, yet low rated television show "Friday Night Lights".
The greatest success of this movie though, isn't it's mystery or the special effects, or even the science fiction allegory of how it connects the beginning of the atomic age with the fears of the 80s nuclear age. I loved the woman in the town meeting who was convinced that this was a sign that the Russians were invading. No, Abrams' greatest achievement here is how he so accurately resurrects what it was like to see a movie in the late seventies and early eighties simply by making one as if it was that time period. Perhaps, this element is not as important to some viewers as it is to me, since I was just gaining my appreciation for movies during this time period. But, it reminds us of how much our technology has changed the way movies are made today. And, it shows that we can use today's technology to make movies the way we used to, when it all seemed so much more magical.
"Super 8" is currently playing at Marshall Cinema in Marshall and Galaxy Cinema in Sedalia.
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Andrew is a professionally trained actor and stage director. He was a reporter for the daily newspaper The Marshall Democrat News. He has been critiquing film since Mr. Lucas released the first of his "Star Wars" prequels in 1999. His reviews can also be seen at his blog site.